Sunnhoof)))
Human pregnancies last nine months. That's about how long it had been since I had seen Warhammer. Sadly, I'm yet to be a father.
I think Warhammer was trying to tell me it was my daddy, though. Sometime during the last nine months, they've toured, recorded an album and become dangerously good. Live, the songs are more interesting structurally, tumbling between breakneck thrash, sounds of black holes, dripping metal and (even) tinny noodling. Kind of like if Deerhoof were made out of Sunn0))).
Unfortunately, I've never heard Warhammer translate well into a recording. I await the release of their vinyl to see if they've remedied that.
Live, they scare me. Everybody seems to be battling their instrument, and it's real warfare: punching, strangling, screaming. Yet it's so chaotic, it's brilliant. It's not possible to play such shambolic songs without being tight as hell. The band switches between concerted destruction and personal skirmishes. Instruments drop in and out of the fray, oscillating from churning juggernauts to sparkling explosions, creating shotgun blast frenzies, metronomic convulsions and gravitational meditations.
If you're wondering whether I know what any of these phrases mean, I don't. It's a testament to a city able to produce something other than high school hardcore bands, Pitchfork lookalikes and classic rock cover bands. Please don't break up like every other Columbia band ever.
I think Warhammer was trying to tell me it was my daddy, though. Sometime during the last nine months, they've toured, recorded an album and become dangerously good. Live, the songs are more interesting structurally, tumbling between breakneck thrash, sounds of black holes, dripping metal and (even) tinny noodling. Kind of like if Deerhoof were made out of Sunn0))).
Unfortunately, I've never heard Warhammer translate well into a recording. I await the release of their vinyl to see if they've remedied that.
Live, they scare me. Everybody seems to be battling their instrument, and it's real warfare: punching, strangling, screaming. Yet it's so chaotic, it's brilliant. It's not possible to play such shambolic songs without being tight as hell. The band switches between concerted destruction and personal skirmishes. Instruments drop in and out of the fray, oscillating from churning juggernauts to sparkling explosions, creating shotgun blast frenzies, metronomic convulsions and gravitational meditations.
If you're wondering whether I know what any of these phrases mean, I don't. It's a testament to a city able to produce something other than high school hardcore bands, Pitchfork lookalikes and classic rock cover bands. Please don't break up like every other Columbia band ever.
posted by TheJayBird at 1:38 AM
3 Comments:
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